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Pratiques Créatives Inclusives
Date du début: 1 juin 2016, Date de fin: 31 mai 2018 PROJET  TERMINÉ 

Representing 4,6 % of the European GDP for 3,8 % of the working population, the cultural sector experiences a constant growth even in difficult economic times, and everywhere in Europe, the cultural industries make a significant contribution in terms of job creation and economic and social wealth in their ability to work in a cross-cutting approach, making the creative sector an essential tool in a policy of crisis exit".Pratiques Créatives Inclusives is a project led by Samba Résille ( FR) in partnership with Brouhaha International ( UK) and Dunya Foundation ( NL). These three cultural structures have in common the organization of carnivals which are rich in spaces of creativity, celebration of the cultural diversity, the social and professional inclusion of the most vulnerable groups and the influence of the territories where they act.This consortium, in answer to the needs for strengthening of the personal and professional skills of his staff involved in the education, the training and animation of adults, built together a program around observation of training courses, structured courses and training seminaries.This program plans three different learning mobilities during the times of implementation of carnival and creative, educational and social actions which target vulnerable public around the following three themes: «GERER ET RENFORCER LA CREATIVITE», «CONSTRUIRE LES PARCOURS CREATIFS» et «DEVELOPPER LES TERRITOIRES CREATIFS».The program of activities plans 41 days of non-formal training for 71 individual mobilities. He will make ti possible to renew the artistic, technical and managerial approaches of the participants and will contribute to strengthen the internationalization of all the stakeholders.The singular educational approach gives place to the creativity, adapts itself to the needs of the participants and integrates the experiences of learning through experience through innovative digital certifications. It will allow to strengthen the language, digital, social and civic skills, as well as the development of the analytical mind, the resourcefulness and the entrepreneurship of 55 trainers, organisers and project managers of Samba Resille.The learning mobilities offer the participants the possibility to live a positive experience conducive to the dissemination of best practices and results of the project with a direct target audience of 285 people among the staff of the consortium and with an indirect target audience of 18100 people among their learners.The steering committee of the project is composed of the administrators and the employees of the three partners. It distributed and planned all the tools and active procedures throughout the life cycle of the project around a longitudinal, appreciative and participating evaluation. Tools which guarantee a full participation of all the participants to measure the results, the changes and the impact of the project, to make readable its dissemination and to guarantee its sustainability.This project will allow to identify the best practices that can be transferred, locally and in Europe, which will contribute to make the cultural companies more sensitive to commit themselves to non-formal training so that their staffs gain in mobility and permeability and that the local political powers include the strategic importance of the cultural sector in the creation of social and economic wealth.Indeed, the cultural economy, in this era of globalisation, knows in-depth changes connected to the new uses like the free download of creative works having as a consequence a reduction in the sales of products and cultural services revealing the need to strengthen the digital skills of the cultural entrepreneurs; the broadcasting markets for live performance always remain split up due to the lack of language skills of the creative actors; and there is a local lack of dialogue between the local political powers and the cultural companies concerning the strategies of internationalisation.Thus, the post-project broadcasting activities with the cultural sector and local political powers will favor the implementation of concrete actions around pragmatic strategies of internationalisation which will allow to open new opportunities in employability and new markets in Europe and in the world.The European dimension of the project will allow to envisage the sustainability of this cooperation around the carnival arts by opening to other cultural operators in Europe and in the world through the design of projects which join the 2020 European Union strategy for an smart, sustainable and inclusive growth.

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