Based on the European guidelines with regard to employment and education in the Europe 2020 Strategy and the fact that we watch one of the biggest waves of youth unemployment in the European Union since its inception, we intend to develop a project that tries to instill the principle of youth creativity and entrepreneurship, where from the pursuit of personal aspirations of young people and their personal development we will put them in contact with creative and innovative practices to transform their experiences in entrepreneurial opportunities. This project will allow groups of young people from Portugal and Romania (40 young, 20 from each country) to meet and live together for 12 days on the island of São Miguel, Azores to achieve, what we call the trial of creativity as a way to know ourselves better and thus find career paths.  To this end, we will provide activities based on non-formal learning methods, in which at different times and situations young people will be invited to take part and to be the prossecutores of the scope of this project, being such possible by offering a mix of activities such as workshops , cultural and linguistic exercises, debates, simulations and role playing, as well as outdoor activities.  We believe that this mix of experiences allow participants to develop skills, become more aware of the topic of youth unemployment and what they can do for themselves, discover and understand new cultures and nationalities and foremost strengthen solidarity, democracy and friendship that we consider fundamental principles for the construction of the European project. The objectives can be summarized in improving education and employability of young people in exploring new ways to promote entrepreneurship, promote the recognition of non-formal and informal learning, promote the entry of young people into the labor market, strengthen the role of NGOs . However, this project also intends to prove that education is not limited to improving employability, the overall aim should be the development of one's personality. So that the results of this project will serve as a best practice to play at European level, undergoes a first priority and resort to meet the needs of NEETS (young unemployed and out of the contexts of education and / or formal training). We intend to achieve these goals by supporting the youth with skills by training them in the areas of entrepreneurship, techniques for better use of learning, improve their self-esteem, ability to adapt their training to labor needs, improve their skills and attitudes regarding obtaining employment and ultimately their professional and personal development, so that they can be inserted in the labor market. We want the knowledge and skills gained by the participants in this project to be properly recognized, using the instruments of certification at European level . In this project we will create a cinametographic residence on the banks of Lagoon of Seven Cities of San Miguel Island, a unique space in the World of Nature, in which the landscape is at the center, precisely to enable us to establish, deepen, rummage and find these questions the bases, paths and even the gaps in our own eyes. "Filming the landscape?" Is the mark of origin and the detonator of the creation processes based on the cinema language that we propose to explore in this project . Shooting the landscape is always to shoot himself, filming across the landscape, looking in world echoes of who we are. Filming the landscape will always be the statement of a point of view from which is organized worldview and it's relationship with those who see the world you see and in which it participates. Filming the landscape is here understood as a gesture first, insofar as is our relationship with what surrounds us, our way of being in the world. This momentum, appear essential to the cinema look: find or be found by the place from which one sees and shoots, establish fair distance with what you shoot, decide or feel the urge to move, transit, displaceable in space or on the contrary, build their dimensions from a fixed point, establish relationships, fragile and often change between the background and the figure that cuts on it. S. Miguel in this process is especially intense. Here, the relationship with the landscape is strong and is a central element of everyday experience, one for which the rest is named and organized, able to change one day and drag the thoughts. Channel this force to the creative process and try to create from it is our proposal.