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5 projets européens trouvés

Recherche sur 125080 projets européens

 TERMINÉ 

"PUPPET NOMAD ACADEMY III"

Date du début: 1 mai 2012,

The projects themselves generate the "European added value". Their goals, their methodology and their nature of co-operation possess an aspect that has a European/international scope. The proposed activities already have a strong impact upon the objectives, yet the effect will be additionally enhanced through the planned new international project. The project brings an important new element to the ...
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 8

 TERMINÉ 

"EXPERIMENTAL THEATRE ACADEMY"

Date du début: 1 mai 2013,

The project idea “EXPERIMENTAL THEATRE ACADEMY – FROM SCHOOL TO FIRST JOB” was inspired by European traditions of ancient, renaissance, enlightenment and postmodern techniques of knowledge transfer. Today’s system of educating theatre workers is creating clones. Young directors find themselves at a new beginning after finishing school, unprepared for artistic and organizational challenges in a tim ...
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 6

 TERMINÉ 

Puppet nomad academy

Date du début: 1 nov. 2009,

The idea is to connect the great masters of puppetry, coming from a rich tradition of Eastern-European puppetry- with the masters from Slovenia, Croatia, and Belgium, and also with young puppeteers from all above countries. Our project found inspiration in the antique and in the old European tradition where masters-teachers practically transferred their secrets, their knowledge and skills to stude ...
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 6

 TERMINÉ 

Puppet Nomad Academy II

Date du début: 10 mai 2011,

The "Puppet Nomad Academy II" (PNA II) project will focus on intensifying the contents of meetings set up within the primal "Puppet Nomad Academy" (PNA) project. Inspired by “the nomads of beauty” from the period of the European avant-garde, we conceived the Project as some kind of puppet workshops travelling from the East to the West.This time the action will flow in the opposite direction, from ...
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 7

 TERMINÉ 

"THE NOMADS OF BEAUTY"

Date du début: 1 mai 2012,

We have found that, in Croatian contemporary theatre as well as in most countries of the Central and Eastern Europe, stage design and visual creativity have been seriously neglected as theatrical components. Once we used to have influential schools of theatre design and strong personalities in the field, but after the change of social system the study of stage design has been relegated to the Facu ...
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 6